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The song is incomplete, it was always that way, even on the official Supershow DVD. A real gem and a treat! The band was set to perform more than just one song but as Jimmy Page recollects: Whole Lotta Love was aired at 4: The other two songs were also broadcasted by two different channels in and as digital broadcasts.
Incomplete black and white and color professional TV broadcast. The tape is an excellent television multicam film consisting of lip-sync versions with studio versions.
Snippets of this footage were used in Whole Lotta Love clip mentioned below. Complete color professional TV broadcast.
An excellent television broadcast of lip-sync performance mixed with portions of two songs originally filmed. The clip is edited and does not include the whole song, also features an unverified performance from Fillmore venue, go-go female dancer, background music from studio version of Whole Lotta Love and short snippets from above video.
Bootleg Visual Reference s TV broadcast source 1: Bootleg Visual Reference s TV broadcast source 2: It remainded as a curiocity why the band decided to perform in television after as they were so dissapointed with "How Late It Is" show on March 21st, For sure the band didn't want to play it and this can be easily noticed, when Bonham just looking around dully while he's playing drums.
Only in March , when Whole Lotta Love became popular in Germany, the Beat Club producers used the previously filmed material to produce a video clip using the commercially released version of Whole Lotta Love for the clip's audio portion.
The originally recorded audio portions were not used. In the Spring of You Shook Me was found as another lip-sync performance.
Bill Graham introduced all the acts. Incomplete superb audience recording. The quality of this recording is so good that for many years it was incorrectly mentioned as a soundboard.
The show is captured with two mics placed right on the stage. Every instrument is clear and balanced with Plant a bit behind the rest of the band.
Reported to be stolen from Bill Graham vaults. We don't know if this recording comes from single ser or it's just a mix of both sets.
The sound is so good it has been often mistaken as a soundboard. In fact it comes from PA monitors. Halfway through the number, Jones' bass cabinet exploded and Plant ad-libed new lyrics: I think we're gonna get it together, yeah I think we're gonna have a good time I think we'd better the right key!
Tape is hissy and distant but fairly clear and enjoyable nonetheless. Sounding very similar to the tape from January 9th at Fillmore West, this tape from the band's second gig of their second visit to the city and their first performance at the Winterland Ballroom , is much longer in length, being just under 25 minutes.
The taper was close to the stage, likely on the floor of the venue, and the resulting recording is a nice listen of an excellent performance.
Cuts are present between all four songs, which masks the fact that there are almost certainly songs missing in-between these cuts.
This is a given for the simple reason that the entire tape is less than half an hour long, yet it starts with Bill Graham introducing the band, and ends with Plant giving the audience a sincere farewell for the evening.
Whether or not the Graham introduction is from the beginning of the 1st set or the beginning of the 2nd set isn't known. But given Plant's farewell, we can assume that the taper was present from the start of at least one of the sets through to the end of the night, save for any additional encores the band may have done.
Again, just like that January 9th Fillmore West tape, there is also confusion as to what the actual date of this recording is. And, again, the confusion here is caused by the words that Plant says to the audience.
If we hadn't have done well here I think we would've shitted ourselves and ran home. And you've done the same for us this time as you did last time.
We'd like to say thank you very much, and good night. After those first two, the band played Vancouver and Spokane, with Portland said to have been played as well during that week.
From there, in the first week of the new year, the band headed south to California for four nights at the Whisky in Hollywood, before heading up to the Fillmore West in San Francisco the following week.
So, unless this tape is from Seattle, Plant's words don't make sense. Thankfully, the mystery here is helped by the fact that this tape starts with that aforementioned introduction by Bill Graham: In fact, so heavy, that even though we can never be entirely sure about these types of things, it pretty much settles the date.
During this era, Graham had yet to begin promoting concerts outside of his own venues in the Bay Area and New York. So, for his voice to appear on this tape immediately identifies San Francisco or New York as the location.
However, the sound of Page's guitar on this tape matches with the echo-heavy and fuzzed-out sound he used in San Francisco in April.
By the time the band reached New York in May, Page will have gotten rid of that constant echo and fuzz sound, and will have switched over exclusively to his Les Paul.
So, that's two points for this tape being from San Francisco. Not definitive proof, but pretty close.
As for which day in San Francisco, April 26th and 27th are automatically out due to the fact that we already have complete recordings from both nights.
As well, the first night back in town, April 24th, is also out, as that show starts with As Long As I Have You, which the band can be heard playing on this tape from April 25th.
Unlike shows at other venues on the tour, where the band played to separate audiences at separate early and late shows, at Fillmore West and Winterland, the band played to the same audience the entire night.
And during this period, we have no record of them repeating any songs within the same night at any of the other dates they played in town. Which ultimately asks the question as to why Plant would make such statement.
The easiest answer probably being that he was merely being sentimental and appreciative to the audience. San Francisco was an important town for the band during this period.
The gigs that the band gave there, especially during that week of April, are among the finest that they ever gave.
So, given that connection, what's wrong with a little white lie amongst friends? Even though the recording is so short and fragmentary, it is still a wonderful slice, highlighting a caliber of playing that is right up there with the other nights of the run.
Plant's voice is fantastic, in glorius high range, and Page's playing actually sounds even better than it would the next night. Hopefully, one day more of this tape will circulate if there indeed is any more.
The sound is clear for the most part, slightly muffled in places and the drums are a little in the background of the mix. The only drawback is that the recording is somewhat overloaded in places.
Overall one of the better audience recordings for the era. Best Of Led Zeppelin Vol. The concert itself is a pure magic. Everything that made Led Zeppelin an amazing live act is here and these two sets were so revolutionary in their time that even now, I am dumbstruck by the power and performance.
Jimmy plays like a man possessed, hitting everything with such fluency and accuracy and with such emotion. Bonham is thunderous, Jonesy is all over the place, inventing lead lines to counter Jimmy's, and Robert's voice is incredible, higher than any notes Jimmy can get on his guitar!
The power and performance are staggering. That aside, the song remains pretty much the same as the one we all know and love.
During the middle section, Page doesn't use the theremin. The spot where it would be featured in the song instead features Bonham doing the same steady high-hat and clicking accompaniment that he would do on the album, but with Page doing a slide solo, sounding pretty much like the one he had just done a few songs earlier in Killing Floor.
After Bonham and Jones join in with a rushing beat and the song comes to a slow down, Page then plays some of the solo portions he had just played in As Long As I Have You.
As Page keeps soloing, Jones jumps in with parts of the backing bass line from "You Shook Me", and then the band get into the formal return solo that would lead back to the main riff in the song.
As the band crash in and the song heads towards the ending, Plant then repeats the line "Baby you need love" over and over. And the song fades out.
The first set suffers from some form of distortion. There is some amount of tape hiss during both sets. All the instruments come through rather clear.
There are portions that get a little muddy as the volume crashes into the recorder. Communication Breakdown has speed problems as well as few other parts.
The recording is a very good balanced professional board tape. Incomplete excellent FM radio broadcast recording. An incorrect song order here. DJ comments are included throughout.
Bootleg LP Reference s soundboard: This show is just blistering. The first set has the group firing on all cylinders and playing their hearts out.
The second set is more bluesy and laid back, but that never means less enjoyable. The only live version of Sittin' and Thinkin', a Buddy Guy number, is here and the completely different song list for each set make this a great show to have.
Dazed And Confused is really dark here. The group's excitement to be so anticipated by Californian audience found their way in Plant ad-libbed lyrics of I Can't Quit You Baby: I don't want to leave you people Also some member of the audience is calling for You Shook Me, what makes a quick and quite funny response from Plant: Don't worry by that!
Just one before that! Initially the band planned to played two shows of which the second was cancelled. The event was advertised as a "Light Show and Dance", and Angus Park Blues Band also got to play after them for the "dance" portion of the show.
Original suuport was Spirit and Illinois Speed Press. After as the venue was changed, two new support acts were added: Sun Ra and Golden Earring.
A local comedian performed in-between the two acts. Comedian Uncle Dirty opened the show. It is whispered that the show was cut by Who's crew because Led Zeppelin had have continued to play after the time.
The tape is distance but clear. Not as bad as we could think at all. Cream is also on the reel, as well as one second long shots of Robert Plant and Roger Daltrey.
Some copies are dubbed with existing audio, some others with official audio. This is only the encore for the show and all that exists from the show.
It also happens to be the second time ever see April 26th, for the first time Whole Lotta Love was played live. A very different version that is excellent, with a long guitar solo in the middle and great vocals from Robert.
A very interesting comment about that evening comes from one of the Who's crew: Almost complete fair to good audience recording.
The tape is overloaded and distorted, also somewhat bassy and muddy. Giving its historical range, this is one of must-haves, even if the quality isn't the greatest.
A short, intense and excellent show in front of a crowd who has fallen under Led Zeppelin's spell. Robert's voice is fantastic and the band plows through the set with intensity and fire and Dazed And Confused and How Many More Times have great performances from all four band members.
Check out Jimmy's mind-blowing solo in You Shook Me This date had been previously scheduled for June 22, Also on the show in session were Marmalade and Vanity Fair.
This performance was originally commissioned for Dave Symond's "Symonds On Sunday" show, however Symonds was on holiday.
Finally, the whole broadcast minus interview was released on BBC Sessions album in Another brilliant broadcast and a truly one of the best studio versions of Communication Breakdown with snippets of Just A Little Bit thrown in.
But this show is reserved for two never before played songs: The first one has similar guitar structure to the later used on Moby Dick instrumental intro while the second is a superb rendition to Eddie Cohtan's classic tune and Zeppelin's own hymn to one of their rock 'n' roll heroes.
The programme bill also bell boys pretending to be a rock group, jazz and variety acts, and a Salvation Army band. Aired on France television on September 5, Friday.
There is unreleased footage in the archives, including beginning segement of Dazed And Confused and backstage.
Communication Breakdown [ cut ]. Complete 16mm color professional footage with actual sound. The tape is an excellent television master, showing members rehearsing before the actual show.
Boom mic is used to record the audio. Incomplete color professional TV broadcast with actual sound. The tape is an excellent television multicam film and soundboard output is used for the audio.
The official DVD doesn't include the rehearsal but used some snippets of rehearsal footage to replace some shots from the original broadcast that had nothing to do with the performance.
Bootleg CD Reference s rehearsal soundtrack: Bootleg CD Reference s broadcast soundtrack: Official Visual Reference s video rehearsal: Bootleg Visual Reference s video rehearsal: This is all that exists from this rather unexpected and fantastic raw performance.
The group performed strong, short set but only Dazed And Confused and rehearsal and show versions of Communication Breakdown were recorded.
After so much disappointent of broadcast the group never performed in television again. This was the last ever Led Zeppelin TV performance.
A highly overloaded, distant and hissy tape makes this recording rather hard to listen. The band and the audience seem to be having a great time.
Travelling Riverside Blues was first released as a part of Led Zeppelin box set and also used as a music background to the promo film under the same title during promotion campaign of Remasters set in late by Jimmy Page, mixed along with other miscellaneous scenes as well as brief parts of July The Song Remains The Same and Seattle July 17, pro shots.
Another studio session that needs no recommendation. During this short British tour the band was absolutely on peak form and it can be easily heard on this amazing recording.
A fury, power and energy are present on all the tracks. Whole Lotta Love is psychedelic stand-out and Robert's yelling during theramin battle is thrilling.
A real pearl, Traveling Riverside Blues is Zeppelin's bow to the talent and magic of Robert Johnson and Plant sings some of his "lemon" lyrics.
Also on the show in session was The Edgar Broughton Band. In , almost entire show was rebroadcasted. Complete superb 1st professional pre-FM radio recording.
Complete superb 2nd professional pre-FM radio recording. The tape is an excellent edited radio master with almost entire chatter and banter between songs removed.
Complete superb 3rd professional pre-FM radio recording. The tape is actually an excellent radio rebroadcast master. It excludes the Liverpool sketches and had extra DJ intro and outro.
Official LP Reference s 2nd source: Bootleg LP Reference s 2nd source: Official CD Reference s 2nd source: Bootleg CD Reference s 1st source: Bootleg CD Reference s 2nd source: Bootleg CD Reference s 3rd source: This show was recorded for the BBC to broadcast the entire show, and here it all is.
An incredible, compact, tight show that features some of the best playing ever, with Jones and Bonham shining throughout and quite possibly the best recording of Plant's voice ever.
Add Jimmy's dazzling guitar work and you have a classic show. Judging by stills of the film, Dazed And Confused, and more.
Shot from various parts of the floor. The tape is hoarded and VHS copy is given to one person for personal use only. Led Zeppelin email update.
Shot from small distance, filmed in the front of actual stage. Because the band had the sunset time slot at this festival, the video is quite dark but enough clear to capture details.
Just a casual amateur footage form the era. Unfortunately, this is all of what have survived and there is absolutely no evidence of other audio or video.
It is reported that the show was interrupted by a naked man who jumped on stage and began to dance. Finally, he dived into John Bonham's drum kit.
Rumoured to be professionally recorded and filmed. Incomplete very good 1st audience recording. The recording is very bright and has all the instruments in great balance except for Plant's vocals that are lost in the mix very noticeably.
Almost complete good to very good 2nd audience recording. The tape is clear but the audience is loud in some spots. What's interesting is that the PA problems that are so common in the first source seem almost non-existent in this source.
You can hear the same people yelling to turn it up as in above source but Plant's voice comes through here probably the clearest of all.
Jimmy's guitar is slightly in the background. Towards the end of How Many More Times the balance changes a bit but it's still the same source.
Incomplete very good 3rd audience recording. A bit distorted in lower sequences but still clear tape, with Plant vocals most prominent.
It ends abruptly when the taper goes out from the festival field. The tape is still hoarded and only copies available are bootlegs.
Bootleg LP Reference s source 1: Bootleg CD Reference s source 2: Bootleg CD Reference s source 3: Newport Jazz Festival Masterport.
Led Zeppelin closed out the final night of the festival with this extremely gutsy and intense performance. The audience was rowdy after as the Zeppelin was reported to be not performed and Plant announced: There was a lot of talk thtat everyone was ill and bad.
There was nothing wrong with us at all and we intended on playing. That's what we've come to America for.
We were coming in the first place so don't get any hassles about what we were gonna do and what we weren't. We hope you'll enjoy everything we do tonight and have a ball".
Robert's voice is so powerful it wreaks havoc on the recorder! The band is definitely on and Jones and Bonham hit some unreal highs throughout the show, as does Jimmy as well.
Some great harmonica soloing from Robert as well and two riotous encores cap this great show. Shared bill with plenty of other artists.
The tape is a bit thin souding and distant with Plant in the back. There are some rather large problems with the channel and speed issues during White Summer medley.
Not to mention some hiss too. A very intense and powerful show but plagued with some PA problems. I think I'd better get out of the way If we go up with a flash and a bang The first two songs are very powerful and Robert's voice is simply devastating.
Page is playing great and the rhythm section is unalterable in Dazed And Confused and incendiary and dynamic in How Many More Times, steering the group through the changes.
Approximately 40 minutes of color 16mm film exists along with another 16mm full coat mag track with sound. Incomplete very good to excellent audience recording.
It is a very clear, detailed and up front audience recording and a minor miracle considering it comes from the summer of One of the best from the era.
The only drawback is the minor amount of tape hiss present here. The great recording gives a vibrant atmosphere and the show is outstanding!
Plant's voice is just amazing, and the instrumental machine is exquisite, soaring and roaring through every song with a vengeance! I love listening to the Zeppelin festival sets from because they had a set time to play and they put everything they have into it and it leaves you breathless!
Robert aplogised to the audience for the lack of new material: This is primarily a clear and vibrant recording, though some low end distortion and disturbance do exist.
The rhythm section is slightly in the background with the vocals and Page's crystal clear guitar to the forefront. Together with July 21st this is the one of the representatives for the Summer tour era.
West Allison State Grasshopper. A super-charged festival set! The band plow through this material with one of the best versions of The Train Kept A Rollin' ever and frenzied playing throughout.
Bonham plays some really inventive patterns and Jonesy is flying as always. Robert's voice is gutsy and Jimmy is great as always Incomplete poor to fair audience recording.
This is heavily overloaded and distorted tape. The Summer Of '69 Rubber Dubber. This show is the first recorded performance of the band headlining in a large auditorium, with this show having taken place at the Swing Auditorium in San Bernardino, California.
As far as the gig itself, the show is very good. After a solid performance of the first two songs the band pause for Page to change a string, which prompts the rest of the group to get into another I Gotta Move jam, like they had done in March 14th, on the radio.
But, before they get into it, something seems to happen in front of the stage, which causes Plant to laugh and comment: You must bear with me.
And get with meeee! Incomplete fair audience recording. A distorted and very distant tape. This is all that exists from this show I heard that the taper stored it for years in bad conditions and this is the only undamaged part of the tape.
The other story says that the show was performed on a revolving stage, resulting in very uneven sound. True or not, this is a very powerful fragment and it leads me to believe the rest of the show was equally powerful and exciting.
The recording is muffled, distant and very hissy at its worst. It also contains numerous volume fluctuations.
The taper has volume or mic problems at certain points in the show. Incomplete good to very good 1st good audience recording. The recording is clear but many parts of tape are quite bass heavy to the point of overpowering the tape.
Incomplete good to very good 2nd audience recording. The tape sounds quite crispier than above recording. It is noticeably overpowered by the music on the whole run though.
Rumoured that the taper didn't have a ticket to the show and recorded it from outside the venue. Bootleg CD Reference s afternoon show: Bootleg CD Reference s evening show source 1: Bootleg CD Reference s evening show source 2: The first show is a great opening set that would be nothing when compared to the scorching, even greater second show here!
The playing here is hot, though. Dazed And Confused is short, compact and powerful, and You Shook Me and How Many More Times are breathtaking in power and playing, and short to work to a maximum effect.
The evening show is just awesome, played in front of the best crowd you'll ever hear! The band is just brilliant here and plays their guts out for this great audience.
The band is so exciting to be in Canada after a bad reception from the side of Texas audience few days before what caused of Plant's long comments: We've just come from San Antonio in Texas, wjere all the geezers thought we should get our hair cut, and we've been through that and everybody's been feeling rather bad, so we're very pleased to be here one way or ranother.
It's nice to be back. We'd like to say hello to anybody from the British Isles, including Scotland and two geezers who used to come from Birmingham in a group called The Yellow Rainbow.
Nice to see you're still nicking gear! And so, if everybody can feel free and easy, we'd like to see what we can do. A very hot reception caued Plant to introduce the band in a verry funny mood: We'd like to tell you that Texas is still as it was when you last read about it and that England is still what it always will be, and we'd like to see you very shortly again, but if not you could all move to the Bahamas or something DJ JJ Jackson introduced the band on stage.
Incomplete fair to good 1st audience recording. The tape is hissy, distand and muddy, also overloaded. Although all the instruments are still audible, overall quality is really not impressive and tape ranks good in places only.
Members of the audience are talkative in some places. Almost complete very good to excellent 2nd audience recording.
The recording is very clear but emphasizes the bass, has noticeable hiss, mic handling noise and the ocassional audience comment. Still one of the best from entire catalogue.
Incomplete 16mm silent color professional footage. The film is dark and a bit blurry, but is nonetheless an interesting early visual document of the band in a true live setting.
The film also features second angle. Taped in order to be used in a documentary about the festival. All versions circulating have either a stamp in the center of the picture either a timecode and all have sound synched up with soundboard.
Earlier versions are shorter, missing some content. Bootleg LP Reference s audience source 1: Bootleg CD Reference s audience source 1: Bootleg CD Reference s audience source 2: An excellent show, perfectly consolidating all of the great playing that this tour had produced, from the powerful opener to the extended end of show medley, complete with Plant doing his best adlibs yet.
An easy choice for one of the very best shows of the year. As if the performance wasn't enough, a superb soundboard, as well as a near-excellent audience sources circulate for this show.
Plant mentioned about the cancelled August 4th concert: Last time we were here it was a near disaster when we said we weren't doing the festival and everything.
This is the last date before we go back to England, so we'd really like to have a nice time And you can help us. Unfortunately, the programme has got a little delayed but there's nothing we can do about it!
Although not at all a distraction for the listener, this makes for a funny moment during Dazed And Confused and How Many More Times, when Page's amps can be heard briefly picking up the sound of the festival security staff speaking on their radios.
The parts of set were professionally filmed by Vara TV company and broadcasted on November 12th, It is stated that film clocks at 17 minutes long but it's no longer in company's archives.
Dazed And Confused [ cut ]. Incomplete excellent color professional TV broadcast. Not known if the group performed the whole set or just one song.
But if the content was similar to the following two nights then this would be a real gem! Originally aired on "Musicorama", Europe1 on November 2, Rebroadcast on Europe2 on December 7, at Remastered deluxe editions of Led Zeppelin I released June have preFM recording edited in many parts to be fitted with single companion disc.
Almost complete superb professional 1st pre-FM recording. Professionally mixed pre-FM master. Moby Dick not included. Incomplete superb professional 2nd preFM recording.
Professionally mixed preFM master. The recording is edited in many parts of which most notable are: Almost complete superb professional FM recording.
Professionally mixed FM master. Moby Dick was played but not recorded or aired possibly. Led Zeppelin I "deluxe" and "super deluxe" editions Atlantic.
Ok, this is what we were looking for a long years! A spectacular and gutsy show in a stunnig quality. Whole concert is so energetic and powerful that can be easily compared with August 31st, An amazing Heartbreaker shows its power and Plants voice is dramatic.
Very long and intense How Many More Times contains some renditions to the old Yadbirds' tunes and is a definitive killer of this show.
Tony Statton-Smith intrdouced all the acts. A little distortion, occasional tape hiss, and slightly weak bass do not prevent this from being a highly enjoyable document.
The drums are clearly audible. Along with October 10th, Paris gig, this show is a treat, as the group previews some songs from the upcoming second album and generally play their butts off for this audience.
A killer show with energy flowing out of the speakers. Support from Johnny Winter and MC5. The tape is a bit muddy due mostly to some particularly boomy bass frequencies from Jones.
Beside this, recording is nicely balanced and only a distant spectrum does not help this tape being more enjoyable.
It ends abruptly just before as the band launched into The Hunter theme. An extremely powerful, heavy and loud show in front of a rapturous crowd.
The band is amazing and Robert's voice is a true delight An interesting thing happens at this show, during I Can't Quit You Baby, when a member of the audience throws a bottle at Plant, causing him to insert a warning to the fellow in the following lyrics: It concluded that even as the market was collapsing in , and its top global CDO trader was deriding the CDO market and betting against some of the mortgage bonds in its CDOs, Deutsche bank continued to churn out bad CDO products to investors.
It also put in some mortgage bonds that its own mortgage department had created but could not sell, from the DBALT series. The CDO was then aggressively marketed as a good product, with most of it being described as having A level ratings.
By the entire CDO was almost worthless and the investors including Deutsche Bank itself had lost most of their money. Greg Lippmann, head of global CDO trading, was betting against the CDO market, with approval of management, even as Deutsche was continuing to churn out product.
He was one of the first traders to foresee the bubble in the CDO market as well as the tremendous potential that CDS offered in this.
As regards the Gemstone VII deal, even as Deutsche was creating and selling it to investors, Lippman emailed colleagues that it 'blew', and he called parts of it 'crap' and 'pigs' and advised some of his clients to bet against the mortgage securities it was made of.
Lippman called the CDO market a 'ponzi scheme', but also tried to conceal some of his views from certain other parties because the bank was trying to sell the products he was calling 'crap'.
Lippman's group made money off of these bets, even as Deutsche overall lost money on the CDO market. On 3 January it was reported that Deutsche Bank would settle a lawsuit brought by US shareholders, who had accused the bank of bundling and selling bad real estate loans before the downturn.
Deutsche had become the biggest operator in this market, which were a form of credit derivative designed to behave like the most senior tranche of a CDO.
The risk of Deutsche taking large losses if the collateral was wiped out in a crisis was called the gap option.
Simpson claims that traders were not simply understating the gap option but actively mismarking the value of their trades.
Deutsche Bank has a negligible exposure to Greece. Spain and Italy however account for a tenth of its European private and corporate banking business.
It needs to get its common equity tier-1 capital ratio up to As of September it stands at In June , the then co-CEOs, Jürgen Fitschen and Anshu Jain , both offered their resignations  to the bank's supervisory board, which were accepted.
Jain's resignation took effect in June , but he provided consultancy to the bank until January Fitschen continued as joint CEO until May Instead the board was represented by a speaker of the board.
The CIB comprises the below six units. In , the bank created the world-known blue logo "Slash in a Square" — designed by Anton Stankowski and intended to represent growth within a risk-controlled framework.
Deutsche Bank in general as well as specific employees have frequently figured in controversies and allegations of deceitful behavior or illegal transactions.
Six former employees were accused of being involved in a major tax fraud deal with CO 2 emission certificates, and most of them were subsequently convicted.
Deutsche Bank itself was not convicted due to an absence of corporate liability laws in Germany. From as late as to at least , the bank engaged in covert espionage on its critics.
The bank has admitted to episodes of spying in and directed by its corporate security department, although characterizing them as "isolated".
According to the Wall Street Journal, the bank's legal department was involved in the scheme along with its corporate security department. The Cleary firm has concluded its investigation and submitted its report, which however has not been made public.
The plan was allegedly cancelled after the intern was hired but before she started work. In May , Deutsche Bank informed the public that the executive management had learned about possible violations which occurred in past years of the bank's internal procedures or legal requirements in connection with activities involving the bank's corporate security department.
The principal findings by the law firm, published in July ,  are as follows: Four incidents that raise legal issues such as data protection or privacy concerns have been identified.
In all incidents, the activities arose out of certain mandates performed by external service providers on behalf of the Bank's Corporate Security Department.
The incidents were isolated and no systemic misbehaviour has been found. And there is no indication that present members of the Management Board have been involved in any activity that raise legal issues or have had any knowledge of such activities.
BaFin found deficiencies in operations within Deutsche Bank's security unit in Germany but found no systemic misconduct by the bank.
The company also pleaded guilty to wire fraud, acknowledging that at least 29 employees had engaged in illegal activity.
It will be required to dismiss all employees who were involved with the fraudulent transactions. In a Libor first, Deutsche Bank will be required to install an independent monitor.
One division at Deutsche Bank had a culture of generating profits without proper regard to the integrity of the market. This wasn't limited to a few individuals but, on certain desks, it appeared deeply ingrained.
Department of Justice over its sale and pooling of toxic mortgage securities in the years leading up to the financial crisis. At the time of the agreement, Deutsche Bank was still facing investigations into the alleged manipulation of foreign exchange rates, suspicious equities trades in Russia, as well as alleged violations of U.
In addition to the payment, the bank will install an independent monitor, fire six employees who were involved in the incident, and ban three other employees from any work involving the bank's US-based operations.
From Wikipedia, the free encyclopedia. Not to be confused with Deutsche Bundesbank or Deutsche Postbank. Financial crisis of — and European debt crisis.
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